Anita Bracalente
Chance Encounters, 2019
Cotton thread, seed beads L. 27 1/2 x H, 8 1/4 inches
Paula Kovarik
The Usual Supects: Presto-chango, Empty Rhetoric, Caught Red-handed and Sideshow, 2019
Found Fabrics, cotton thread and batting 40" x 54"
Nancy Crasco
Climate Change Indicator: Coral, 2018
Gelatin and linoleum prints on silk organza 24" x 48"
Marianne Fairbanks
Gradient Slippage, 2018
Cotton, tencel and polyester handwoven on TC2 Loom 35.5" X 26"
Susan Hensel
Chromatic Wave 1, 2019
polyester embroidery thread, polyester felt, sewing thread 12" x 25" x 1"
Victoria Potrovitza
Shutdown, 2018
Mixed media, fiber, hand embroidery, acrylic paint, cotton and metallic threads, canvas on wood stretcher bars. 18 x 18 in.
Anette Millington
NOCTURNE SERIES: BLANKET/ Back, 2018
NOCTURNE SERIES: BLANKET 48 in x 48 in
Dayna Talbot
Air Head, 2018
Abaca pulp, Reed, Wire 48" x variable
Teddy Milder
Wall Constructions, 2018
archival pigment digital mono-print on hand-made paper; stitched with silk thread; lashed to paper-covered barbed wire 11" H x 20' W (in 7 sections;each section 33" w )
Julie Nocent-Vigil
Tallgrass Sampler Series, Bison Dawn Dream Circle, 2018
Muslin, silk organza, etching ink, cotton thread 5" x 5"
Cathryn Amidei
Gut Feeling, 2019
cotton, rayon, paper, polyester, yarns 27" x 52"
Christine Miller
Scarlet Coral, 2019
Wire, fiber - woven metal fabric with fiber embellishment 11"h x 7"w x 6"d
Weaving with wire as the warp allows the creation of a woven metal fabric that can be used as a sculptural material. This sculpture is part of a larger exhibition "Beneath the Surface - A Coral Reef Installation" and examines our relationship to the oceans and the destruction of sacred life forms like coral reefs due to global warming and man made stressors. The advocacy nature of this work is a clarion call for action to figure out how to navigate through these global challenges. Despite the hardness of the wire, organic lines come to life in the manipulation of the woven metal. The juxtaposition of hard and soft are married into a unique sculptural expression.
Eva Camacho-Sanchez
Border Scars, 2019
Merino wool, silk chiffon, embroidery thread, porcupine quills 35" x 25"
Ruth Tabancay
What’s In You and On You: Normal Flora and Pathogens 1.2, 2019
Fabric, embroidery floss, glass Petri dishes 1" x 20" x 28"