Swing Time, 2020

Hand-dyed wool, acrylic paint on linen 36 x 36

Broken Pickets 2, 2019

cotton Jacquard 34 h x 26 w x 0

Echo Chambers, 2020

Artist made over beaten abaca paper, waxed linen 76"x60"x9"

Flow 7: Seafoam, 2016

Tapestry wool, cotton, silk, boucle 46 x 34

Celestial Beings, 2018

Hand dyed cotton, screened, machine quilted 36" x 36"

“Lines of Communication”, from the Braille Series, 1999

Dyed leather, glass beads, pearls, hangers 20" x 10" x 3"

Oceana, Photo: Kelly Hofer, Model: Carolynne Scoffield, 2019

Ocean Plastics - netting, rope, tarp, bottles, LED's, Fibre Optics, Micro controllers Approximately 4 feet wide and 6.5 feet tall on model

Checkpoint, 2017

plastic bags from newspaper and various yarns 17 ft x 21 ft x 4 ft

Detail Family of Origin- Foundational Garments, ongoing

shirts of artist's deceased mother, paint, sticks, weights, ink, hair, rust, grommets, lacing, thread etc 67”h x 38”w x 36”d

dozen grouping, 2020

mixed media fibers 72x48x10

Deception Decomposition #2, 2020

cotton fabric, cotton/bamboo batting, acrylic & polyester thread, ink 29" x 40"

Integration/Separation (Construction 8), 2018

Cotton, silk, velvet, polyester, upholstery fabrics, thread 22” x 68”

Case Study: Memory of a Dream, 2019

Paper, fabric, iron rebar 18" x 19"

Solstice, 2019

Hand-dyed and commercial fabric, thread 25" x 22"

Big Bang #5, 2017

Cotton sateen, Fiber reactive dye 49"H x 40"W

Memory Grove II, 2020

Digital print on fabric, hand dyed cloth with hand embroidery. Cotton, linen, and silk. 8" h x 10" w

Friendship Bracelets for Socially Distanced Trees, 2020

Paracord, polypropylene rope The circumference of two trees and the space between them.

GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021

Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11

Pixelated Roses Scarf, 2017

100% Merino Wool Yarn 667x1000

The Yellow Star of David, 1998

Cotton on silk, black marker 8" by 8"

Mako Sica Coat, 2013

Wool, mohair and suede Garment size 12

Shake Up in the Land of Oz, 2019

Wool felted by artist, hand embroidered 41 x 32 inches

March of the Emerald Ash Borer, 2021

Screen, paint, thread, wire, paper, swivels, shadows 6' H x 4.5' W x 2' D

Needlepoint Transformed (Series), 2021

Preferred Aluminum, Shredded Book Plates & Aluminum Stand H-12" L-20" D-6"