Doshi
Tsunami, 2014
Silk Organza, Discharge, Arashi Shibori 30"W X 18"H X 12"D
Susan Hotchkis
Pool, 2014
Felt, Silk, velvet, Scrim H 145cm X W 57cm X D10 cm
Julia Feldman
Laughing Owl, Extinct 1914, 2021
Mixed media, tarlatan scrim, found objects and upcyled fabric, threads 23 x 19 x 5 in
Elizabeth Busey
Longing for Pilgrimage, 2020
Western cotton and Asian papers, vintage maps, cyanotypes, oil-based inks. 24 x 18 in
Ann Ribbens
Abundance 2, 2016
Deconstructed screen printing on cotton; machine quilted 64.25" x 18.75" x .25"
Cindy Heath
Celestial Beings, 2018
Hand dyed cotton, screened, machine quilted 36" x 36"
Lauren Sinner
Exquisite / Mess, 2016
linen fabric, cotton fabric, cotton embroidery floss, polyester thread, India ink, cotton rug warp, wool batting, polyester batting, cotton batting, birch beam, and briwax Approximately 90 x 75 x 2 inches (varies)
Ann Vollum
Gorgon: Euryale – Detail, 2022
Eco and rust dyed rescued fabrics, Polyfil, wire, washers, coiling cord, hardware cloth 29.5 "H x 14.5 "W X 8"D
Youngmin Lee
Remnants of memory, 2018
Vintage hand-woven cotton, ramie dyed in indigo, safflower, and fiber reactive dye 63.5 inches x 61 inches
Liz Hewitt
Protection, 2019
West African Cotton Strip Cloth, Procian dyes, Silk threads 25" x 78"
Lexi McCrady-Axon
Lexi McCrady Axon 06, 2018
Wool, recycled with cotton cord 6" x 6" detail section
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Nancy Crasco
Sea Tangle, 2019
Linoleum prints on silk and Spoonflower printed cotton from original gelatin prints 41"x 46"
Fay Stanford
Only 2 Alternatives, 2020
Ink, Cotton, Thread 48" x 31"
Bonnie Saland
The Sea Inside, 2012
This is a third generation print that paired a linocut of Medusa over a digitally reproduced pattern from the mixed media piece w/ silkscreen titled “Sea Fruit”. 42” h x 42” w
Sharon Webster
For Everyone, 2015
Painted wood, rope, pen and ink 13 in x 32 in x 13 in
Carol Myers
, 2019
inktense pencils, graphite, quilting on fabric 27" x 16"
Lisa Sanders
Curious Form 1, 2018
wool felt, wool roving, cotton thread. 14 x 22 x 17.5 inches.
Ruth Tabancay
Colony, Collaboration with SDA Member Jessica Cadkin, 2018
Deconstructed artificial flowers, fabric, embroidery floss, beeswax, 168" x 120" x 72"
Lynne Smith
Falling Fire, 2020
Handwoven wool roving and reclaimed textile waste. 40 x 48 in
Teddy Milder
Wall Constructions, 2018
archival pigment digital mono-print on hand-made paper; stitched with silk thread; lashed to paper-covered barbed wire 11" H x 20' W (in 7 sections;each section 33" w )
Gray Caskey
Dissenting (detail), 2020
reclaimed electrical porcelain tubes, abaca paper, thread, wire, wood 24" x 12.5" x .75"
