Liz Hamilton Quay
Embalmed Tubes, 2017
Polyester Organza, Shellac, Thread, Poly-Fil 35"x25"x2"
Phyllis Packard
Harvest Moon, 2020/21
Woven pattern & tapestry: wool. silk, linen, bamboo, & assorted fibers 16" x 26"
Catherine Reinhart
Mended I, 2020
Abandoned Quilt: Mending, Hand stitching, string painting Quilt: 75" w x 98" h
Violet Shirran
Two for Joy, 2018
Cotton Velvet, cotton, stitch and discharge print 4o cm x 80 cm framed
Elizabeth Busey
Lucent, 2020
Western cotton and Asian papers, vintage maps, cyanotypes, oil-based inks, interference powder. 18 x 18 in
Julie Nocent-Vigil
Tallgrass Sampler Series, Bison Dawn Dream Circle, 2018
Muslin, silk organza, etching ink, cotton thread 5" x 5"
Susan Feller
Appalachian Trail Thru Hike #1, 2020
wool fabric as is and hand dyed, hooked through linen 19 x 59
Joan Diamond
Enduring, 2020
Single use plastic bags, quilt fragments, organza, netting, thread 64"H x 44"W
Brenda Bunten-Schloesser
TBI 1-2-3, Trust, Believe. Inspire, 2017
Bleached Mercerized Combed Broadcloth Duck Canvas Fabric MX Fiber Reactive Dyes Quilt Batting Polyester Felt Cotton Mop Yarn Gutermann Hand Quilting Thread Gutermann Upholstery Thread Wood panel Aluminum Flat Bars TBI Group “Breath, Move Forward, A Light” is hand painted whole cloth cotton using fiber-reactive dye and discharge painting. Then the cloth is cut pieced and sewn together into a layered & sculpted organic shape. Machine pieced, hand quilted, Layered pieces together into 3 competing shapes. When all you can do is Breathe and trust, waiting patiently until you can Move Forward, believing you will reach A Light where you can inspire others in the journey.
Terry McClain
Fan Book for Mary Virginia Jones, 2014
Tarlatan, wood 6"H x 9"W
Wen Redmond
The Creative Hand, 2016
Digitally prepared molding paste, synthetic interfacing substrate, black noil, scrim, painted silk organza, antique hook and eyes, paint, mediums and variegated metallic thread. 28x42
Sha Sha Higby
“Floating in Limbo”, 2019
silk embroidery,gold leaf 65"x 40" x 1"
Sun Smith-Foret
Soma Bay Series, 2019
Knotted waxed linen, semiprecious stones, pin oak windfall 11” l x 11” w x 4” h (not including stick structure)
Mary-Ellen Latino
Avalanche of Sorrow and Hope, 2020
Silk Broadcloth, Photos, Dyes, Scanned dyed Fabric 72 x 72
Elizabeth Busey
Resilience at Daybreak, 2020
Western cotton and Asian papers, vintage maps, cyanotypes, oil-based inks. 24 x 18 in
Joan Diamond
It Helps Sometimes to Take the Long View, 2021
wool, silk noil, silk organza, acid dyes, single use plastic bags, embroidery floss 52"H x 48"W
