Index of Days no. 5, 2018

Acrylic, ink, graphite, collage, beeswax, embroidery thread on paper 11" x 11"

Midnight Forest II, 2010

Eggshell, spackle, string, paint, bitumen on canvas 18x24

A Walk to the Other Side of the Neighborhood, 2021

Cotton, rayon yarns, paints, maple seed pods 35" x 58"

Masked, 2018

Paracord, thread 12" x 13" x 13.5"

Red Sash, 2013

Cashmere, wool on linen, 1/2" hand-woven wool binding 14" x 17" x 7"

Engram 1.2, 2015-2016

Screen-printed dye on cotton, silk with embroidery, sewn construction and audio recording. variable

Amanita 3, 2012

Silk, fibre reactive dye 6" x 19"

Homelands, 2018

Hand dyed cloth, handwoven fabric, digital print on fabric, hand embroidery, machine pieced and quilted. Linen, cotton and silk. 45" h x 45" w

Deliberate Wanderings, # 10, 2016

mixed media collage; paper, pigmented starch paste, paint, ink, colored pencil, thread. 16" X 35"

Impervious, 2018

merino yarn, hand dyed and hand knit 80"x32"

Flower Box, 2014

cotton fabric and threads, heavy interface, corrugated vinyl armature 18" X 33" X 44"

The Power of Remembrance, 2020

Silk, flax, wire, wool, various other fibers Variable/Installation

Urban Topography, 2018

Corrugate, cover stock, pearl cotton, embroidery floss, insect mounting pins. 10.5 in H x 4 in W x 4 in D

Rio Bojagi Wrap, 2019

Hand sewn silk organza 14" x 75"

Sketch XV, 2015

Found quilt block, string painting 30" x 22"

Borderlines 2, 2017

Hand dyed cotton/linen, various threads 39" H x 33" W

Sister Vessel, 2019

Merino wool, hand-dyed habotai silk, silk roving. 9”H X 10”W X 10”D

Virgin Forest Chair, 2014

Animal Lino cuts from the Virgin Forest Fine Art print are digitalized into a textile scatter and printed on cotton sateen. 19.5” h x 33.5“ w x 5“ d

Tether, 2016

cochineal-dyed doilies, oak gall-dyed sissal twine. oak gall dye from foraged galls. install: I-Park variable

GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021

Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11

Allora, 2019

driftwood, rayon, wool, synthetic rope 4' x 2'

Waiting for Aida 4, 2019

Cotton, fabric, thread 7,87 x 7,87 inch

Diaphanous Illusions, 2018-2020

Cotton, rayon yarns, discarded fruit netting, reed, copper, sisal, wheat grass, gingko leaves, maple seed bunches, gold yarns, paints 8'x12'

Seeking Happiness, 22022

Cyanotype on washi paper, silk thread; hand stitching 8" x 11.5"