Wen Redmond
Enchantment of the Forest, 2018
Digital ready canvas, felt, dyed pearl cotton, UV medium and paint. 40x40
Liz Hewitt
Flow, 2019
Rusted West African Strip Cloth, West African Mud Cloth strips, vintage linen, silk thread linen thread 23" x 56"
Ann Vollum
Gorgon: Euryale, 2022
Eco and rust dyed rescued fabrics, Polyfil, wire, washers, coiling cord, hardware cloth 29.5 "H x 14.5 "W X 8"D
Susan Feller
Mountaintop Removal Jewel, 2019
variety of fibers hooked with silver wire as center medallion. Cotton batik trapunto, applique', yarns, beads 12 x 17
Seong Eun Lee
Embrace, 2020
Cotton thread, Silver thread, Gauze, Bast fiber fabric 35.4" x 47.2"
Seong Eun Lee
Into the gray, 2020
Cotton thread, Silver thread, Polyester 63.5x90 (cm)
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Kachina Martin
the weight of expectations, 2017
vintage patterns and mixed media variable - approximately 6 feet in height by 18 feet in length
Kristina Nobleman
Inner Repose, 2021
Monotype with avocado ink and sumi ink on kozo paper mounted to panel 36" x 72"
Shea Wilkinson
Data Set, 2015
Hand-dyed silk, cotton, wool felt, polyester and cotton threads, wire 33 x 44 x 4
Robert Burton
Hauntology: Mourning Shirt (Detail), 2020
Mixed media, found objects and silk shantung yarn TECHNIQUES: Non-woven starch technique, stitcth embroidery, digital and transfer print 80cm x 40cm x 40cm
Ayn Hanna
LineScape #29 (Tent Rocks), 2013
cotton fabrics, hand-dyed by the artist, paint, batting, stitching 25 x 44 inches
Susan Zimmerman
Inventing Beauty, 2019
handmade flax paper, abaca tissue paper, thread, newspaper type 21" x 42" x 3"
Patricia Coleman
Poplar Leaf on Silk, 2016
Upcycled silk, poplar leaves, wild geranium leaf Apx. 14" X 12"
Jim Barry
Quantum research with a Dilution Refrigerator, 2018
Silk dye, Heavy silk satin 60" x 15"
Julie Kornblum
Roadside Flowers, 2010
Found Hubcaps, Used Plastic Bags 24" H, 24" W, 3" D
Shari Boraz
Different but the Same, 2017
Hand-embroidery on artist designed cotton with hand painting 19″ L x 15” W
Darlyn Susan Yee
My Body My Choice, 2020
Knitted Crocheted and Stitched Acrylic on Steel 84 in h x 120 in w x 1 in d
