Rite, 2017

cotton, hand dyed linen and wood 23” x 27” x 3”

CHALA Project Brooch, 2019

Corn husk stripes, nylon thread, wood, steel. 14 x 7 x 7 cm

Lace Two: Not A Bow (detail), 2016

Stainless Steel 23” H x 16” W x 13” D

Memorial Wreath: Damnation, 2017

hand-stitched and found embroidery, cotton, linen 14 x 16"

Morph, 2020

cut up quilts, cotton thread, batting 46x45x6

A Beautiful Danger, 2018

Chinoiserie, fabrics, thread, dyes, batting, canvas, digital image transfers from artist original photo 61" X 40"

Totems #3, 2017

Cotton, dye, thread 10"x20"

mantelet in circles, 2014

hand-dyed wool roving, felted, stitched and over-dyed 34 inches in width by 42 inches in length

Moss IV, 2020

Inkjet print of original photograph, cotton embroidery thread, beads 8" x 10" framed

Lace Ten: Aigrette (detail), 2019

Stainless Steel 31” H x 21" W x 14" D

Bound and Tied, detail, 2019

mixed media with handmade paper (cotton and mulberry fibers, walnut stain, gelatin capsules and a secret note to self) ), 24”w x 64”h x 8”d

Deliberate Wanderings, # 11, 2016

mixed media collage; paper, pigmented starch paste, ink, colored pencil, thread. 16" X 16"

Fréo Ellenlic: Brave and Valiant Woman, 2019

Handwoven Tapestry: wool and cotton weft, seine twine warp 43 x 28.5 inches

Purchase, 2019

Artist-made abaca paper, abaca pulp 10"h x 10"w x 10"d

ORDERLY CHAOS, 2019

Various fabrics and thread 12 by 25 inches (2 panels, 12 by 12 inches each)

Exclamatory, 2018

wool, camel, goat, mohair, natural dyes; handwoven tapestry 76" x 47”

Overlapping III, 2020

Rare Breed Wools and commercial yarn 16" x 16"

Lexi McCrady Axon 01, 2017

Wool, recycled, 100% cotton cord 24.5" h x 26.5"w x 3/4"d

Once Upon A Time: Pandemic House, 2020

materials collected from within my home during the stay at home order, steel, paint 82" x 58" x 74"

Denim Jacket, 1974

Levis Denim Jacket and embroidery floss Men's Small

GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021

Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11

Sheathing, 2021

Handmade paper yarn, cotton gauze; natural dyed. 14"x 9" x 7"

A Day in the Woods, 2019

Printed photographs of leaf printing, embedded handmade flax papers, overdyed with Indigo, eco-dyed papers tied with pearl cotton and yarn 51x62

Privilege, 2021

reclaimed fabric, copper, food net, thread 60 x 33 x 10 inches