Lisa Jean Allswede
The Wandering Hibiscus, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, zippers, and nails mounted on top of a painted basswood panel installation includes 50 panels 8”h x 8”w x 1.5”d - display varies at each location
“The Wandering Hibiscus” is my celebration of womanhood. This deeply personal body of artwork stitches together crystalized remembrances of childhood, motherhood, moving, sexuality, aging, and embracing imperfection — panels of vignettes commemorating the memories of an aging woman. Each of these vignettes is composed of a kaleidoscope of threads, sequins, and zippers all tangled together to form a Hibiscus rosa-sinensis. I love the hibiscus as I am drawn firstly to its alluring sensuality. Its ruby, fleshy goodness reminds me to appreciate the simple pleasures in life. In a broader context, the hibiscus symbolizes femininity, warmth, love and passion. The mythology of the flower helps women reclaim their sexuality, vitality, and invincibility in the face of degrading depictions of women in media. I see myself within these descriptors, and have learned to use the flower as a looking-glass into myself. To honor our serendipitous relationship, I began photographing the hibiscus in June 2012 and soon after began sewing on those photographs. From photographs to twisted threads, each vignette is a journey of revelations. I utilized jacked up french knots, misguided sashiko stitches, and jumbled layers of machine stitching to help mend my wounds from womanhood. What began as an unexpected attraction to a flower transformed into a self portrait of sorts; a celebration of a woman in her 50s.
Lisa Jean Allswede
Aunt Lisa, I Think You’re My Spirit Animal, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, and nails mounted on top of a painted basswood panel 8”h x 8”w x 1.5”d
"Aunt Lisa, I Think You're My Spirit Animal" is one of 50 panels in "The Wandering Hibiscus" series. “The Wandering Hibiscus” is my celebration of womanhood. This deeply personal body of artwork stitches together crystalized remembrances of childhood, motherhood, moving, sexuality, aging, and embracing imperfection — panels of vignettes commemorating the memories of an aging woman.
Lisa Jean Allswede
I Walk Outside with My Socks On, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, and nails mounted on top of a painted basswood panel 8”h x 8”w x 1.5”d
"I Walk Outside with My Socks On" is one of 50 panels in "The Wandering Hibiscus" series. “The Wandering Hibiscus” is my celebration of womanhood. This deeply personal body of artwork stitches together crystalized remembrances of childhood, motherhood, moving, sexuality, aging, and embracing imperfection — panels of vignettes commemorating the memories of an aging woman.
Lisa Jean Allswede
Bubble Machines Are Essential to Life, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, and nails mounted on top of a painted basswood panel 8”h x 8”w x 1.5”d
"Bubble Machines Are Essential to Life" is one of 50 panels in "The Wandering Hibiscus" series. “The Wandering Hibiscus” is my celebration of womanhood. This deeply personal body of artwork stitches together crystalized remembrances of childhood, motherhood, moving, sexuality, aging, and embracing imperfection — panels of vignettes commemorating the memories of an aging woman.
