Marilyn Henrion
West Broadway, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Washington Place, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Subway 1, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Oculus, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Highline Triptych, NYC, 2020
cotton, thread 30"x60"x1", three panels, each 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Greenwich Village Rooftops, NYC, 2020
cotton, thread 24"x18"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Construction- The Shed, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Chambers Street, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Centre Street, NYC, 2020
cotton, thread 30"x20"x1"
As a native New Yorker, my work has always been deeply rooted in the urban geometry of my surroundings. The presence of the human hand upon the landscape expresses our eternal yearning for immortality, evidence that says “I was once here”. Much as Edward Hopper did in the 20th century, I synthesize and transform the “facts” of the material world to reflect my experience of a particular place.The works are composed of my digitally manipulated photographs which are pigment printed on fabric and meticulously hand-quilted to reinforce the presence of the human hand. The overlapping concentric circles of the quilting design symbolizes the ethereal nature of our presence on the landscape....here for a moment and then gone, while the structures remain.
Marilyn Henrion
Astor Place, NYC, 2020
cotton, thread 30"x20"
