Izzie Ashley
Tshirt, 2020
Champion Tshirt, thread (13" x 14" x 8")
Heather Baumbach
Puddle, 2020
Hand dyed crinoline, thread (32" x 42")
From a body of work called First Light- an exploration of the influence and significance of light on natural forms and the environment.
Paulina Bereza
Puddle (False Memory III), 2021
Handwoven Polyester and Wool, Steel (14" x 20" x 0.25")
Lauren Bradshaw
Viscera, 2020
Pantyhose, polyester fiberfill, handspun yarn, beans, paper(24" x 28" x 28")
Kinley Davis
Labyrinth Rug I, 2021
Fiber, yarn, cotton (47" x 41" x 1.5")
Connor Dyer
The Hunter, 2017
Rabbit fur, fine silver (12" x 18")
Cynthia Evans
Wearable Reliquaries, 2019
Overbeaten abaca, plant materials, copper, silver, hair, steel (24" x 48" x 6")
Kelsey Forkner
Hail Mary or 010010000110000 10110100101101100010011010110000, 2021
Copper wire (2.25" x 8" x 4")
This glove is made of numerous repeats of the Hail Mary translated into a binary crochet system using conductive copper.
Kelsey Forkner
The Litany of Humility or 01010100011010000 11001010010000001, 2021
Stainless steel wire (1.25" x 6.5" x 6.5")
This amorphous object is made of a single repeat of the “Litany of Humility” crocheted in binary using stainless steel wire.
Paulina Fuenzalida-Guzman
I am losing consciousness, 2021
Handmade felt with merino wool, cut with laser cutter (49" x 33" x 6")
Sally Garner
Altered Timelines, 2021
Bamboo knitting needles twined with paper raffia (30" x 22" x 24")
Andrew Hilts
Screen Shot 2020-10-28 at 9.24.12 AM, 2021
Acrylic and wool yarn on burlap (78" x 108" x 1")
Hongci Hu
Artificial 13, 2021
Donated yarn, fiber optics, control board, batteries (9" x 7" x 7")
Artificial 13 combines with fiber optics and a control board - a piece of E-textiles with lights.
Michelle Knappe
Hey Look Mom I'm In Art School, 2021
Textile, fibers (7.5" x 7.5" x 3.5")
Ajdin Kulic
Inner Compass, 2021
Weaving, net-making, embroidery, felt-making, oil pastel (46" x 46" x 3")
By collaging textiles, this work references the orchestrated layers of bodily structures within the human nervous system and our literal and metaphysical "center". Relating ritual in textiles processes and their mind-body activation to poly-vagal theory and somatic experiencing in trauma healing.
Stephanie Le
Imprint, 2021
Indigo-dyed Ikat weaving
Indigo resist-dyed ikat weaving. Over 160 hours of work from start to finish.
Sung Ji Lee
Candy Vending Machine, 2019
Colored pencil, paper, water soluble paper, thread (14" x 7")
In this work, I am trying to weave the emptiness between the past and the present by using a needle and thread. My memories, like old faded photographs, are retrieved as a new art form through this process.
Molly Martin
Behind the Scenes, 2021
Yarn (6' x 14')
Madison McGill
I Miss Being Small, 2021
Appropriated yoke, cotton rope, rust (96" x 36" x 6")
This piece reflects my depression that resulted in my obsession with focusing on romanticized childhood memories. I crocheted the rope into heavy fringe and rust dyed it. I took the words burned into the yoke from an audio journal entry, taken the night that I got to the peak of my depression.
Erin McQuarrie
Fragments Of The Whole 20,2064, 2020
Print, stitching and tapestry (118" x 58" x 0.5")
Clare Nicholls
ghost ladder, 2021
Linen (80" x 60")
Jamie Novak
Criss-Cross Applesauce, 2020
Bench: Cotton Yarn, Polyfil, Wood; Rug: Acrylic Yarn, Cloth (16" x 25" x 35")
Kay Papenfuss
CREATE, 2016
Metal (20" x 20")
Create is the artistic interpretation of the very beginning of how the earth was formed when hot molten rock formed dry land and that dry land brought forth green grass.
Aanchal Raisahib
Common Thread, 2019
Arm-knitting (36" x 24" x 1")
Antonia Reina Salas
The memory of a momposinian landscape, 2020
Architectural surface for interior design knitted in crochet (71" x 24")
Etta Sandry
Grappling: Altogether, 2021
Various clays, fillers, and additives with cotton fiber rope (22" x 8" x 3")
Graeme Schneider
Noise, 2021
Woven Dobby (65" x 18.5" x 1.5")
In this piece I explore themes of human connection, digital revolution, and sensory overload. Using hand dyed yarns I constructed a textile with four alternating layers arranged in block.
Heather Schroeder
Temporary, 2021
Freehand sewn embroidery on muslin (33" x 43" x 0.5")
Kate Sechrist
Wool Words, 2019
Tapestry weaving and installation (118" x 157" x 157")
Lydia See
N35.533376, W-82.838591Fivespot (forAmi), 2019
Pieced salvaged construction mesh, thread (65" x 65" x 0.5")
Constructed with salvaged fence netting material, this barn quilt square is an exercise in the liminal space between Appalachian semiotics and the white noise filled by advertising, referencing the domestic hand, the comforts of home, and concepts of displacement and gentrification.
Kat Sours
Material Compartments, 2020
Polyester, thread (60" x 24" x 24")
Conceptual gloves inspired by the imagery of biological pockets, such as a womb or tumor.
Nicole Staller
Shedding, 2021
Soft sculpture (21" x 56" x 3" )
Chuyi Sun
Under The Microscope, 2021
Fishing wire, yarn, nylon thread, magnetic wire, fiber optic (79" x 40" x 40")
Clark Valentine
Untitled (Transition 2), 2021
Ink on paper (72" x 20")
Alexis Zabor
Indubitably, 2021
Fiber (wool yarn), wire, natural dyes (10" x 48" x 6" )
Emily Zarse
Apron, 2021
Silk organza, cotton thread, two stones, plant dyes (71" x 40" x 4" )
Residue of physical and emotional trauma are captured on the surface of the floating maternal forms. Color from foraged plants and “saddened” with iron and calcium, records the depletion of energy and essential nutrients used to grow new life.
