Gail Smuda
Choose Your Wars Carefully, 2020
Fabric, embroidery floss and found objects (45" x 20")
Most wars are lied about in order to get the support of the country that will be participating. A war that has a good outcome would be one against infectious diseases and the only wars worth fighting. www.gailsmuda.com
Lisa Almeida
Feminine Forest, 2020
Wool, cotton (15" x 26")
The forest is a paradox of tension. It is a reminder to stand tall and hold ground, yet remain flexible. Tapestry is also a paradox of tension. It is a partnership between a warp under significant tension and the soft, floppy weft reliant on that tension to create form. When tension arises in life, the human tendency is to try and eliminate it. Feminine Forest is a reminder that the exertion of equal and opposite forces foster strength and balance. www.LoomingArt.com
Lia Rothstein
Sinew 1, 2020
Gut, pigment (34" x 12" x 12")
Sinew, the title of this sculptural series, means the parts of a structure, system, or thing that give it strength or bind it together. To me, gut as a material represents resiliency, stamina, connectivity, commonality, and corporality, all essential pandemic survival mechanisms. www.liarothstein.com
Jules Robinson
Spirit, 2020
Merino wool, Gotland wool, silk fibers, freshwater pearls (14" x 6" x 4")
I created spirit during the Covid-19 pandemic to show that even with extreme difficulty our spirits remain strong while twisting and turning through any challenge. www.birdsonthewingjewelry.com & www.natureinfiber-julesrobinson.com
Kay Read
Big, Hungry Beastie, 2019
Wool, mixed yarns & threads, buttons & beads, wire, polyester stuffing (9" x 18" x 18")
The tension of eating and being eaten binds all life together, interlacing the world like straining and stretching threads tying shapes into a big beastie. The slow-moving act of crocheting Big Beastie (it took years) slowed me down when life most needed slowing. In the face ever quickening demands, it seemed almost an act of defiance to say I will take as long as I need no matter who or what are knocking at my door.
Cheryl Z. Miller
2 Worlds, 2018
Hand dyed cotton, batik, linen, cotton thread, handmade wood button (12" x 12" x 1")
This piece is an abstract landscape divided in two horizontally but joined by a wood button. It captured my feelings at the time about what the world and the US felt like - 2 worlds divided but also joined by things we have in common. Fast forward to 2020 and this piece could also describe life before and after Covid. www.cherylzmillerart.com
Jane Balshaw
Going with the Flow, 2020
Recycled cotton and linen, textile paint, thread (40.5" x 34" x 0.25")
Although the center component of this piece I had painted previously, the construction of this work happened during the depth of the Pandemic. Since I could not get to a store for materials, I used what I had on had to create the color-way by ripping apart previous work and disassembling clothing. This was a lesson in going with the flow of things in the midst of a tension filled time. www.janebalshaw.com
Shari Wolf Boraz
Artist's Journey, 2013
Embroidery floss, cloth dinner napkin (20" x 20" x 1.5")
"The artist’s lonely creative journey. The figure carries a fetus – potential- and is engulfed in a bubble, oblivious to the formidable obstacles ahead: high waves; storms; whirlpools; a barrier wall; and the succession of time as indicated by several sun-like and star-like spheres. The light sources indicate that the artist is heading towards enlightenment. www.sewboraz.com
Dayna Talbot
Mending Fences, 2020
Oil paint, cheesecloth, paper, coldwax, artificial sinew (38" x 28")
2020 a year of Civil Unrest, we must finally heal and move forward as country. Stop the racism and hatred.
Anne McMillan
Contained, 2021
Wire, eco-dyed paper, linen string, beeswax (7" x 8")
Mixed Media piece using wire that was crocheted into a pouch and left to rust. The piece is filled with eco-dyed scrolls that are tied and sealed with beeswax. www.annemcmillanart.com
Sharon Zimmermann
Coneflower, 2016
Textile paint, silk, batiks, thread (11" x 17")
The coneflower is hand painted on silk & appliqued onto a background of arranged pieces of batik fabrics. The quilting was was done on a long arm quilting machine. Facebook: Zimmerlady Creations
Michelle Goldsmith
Red Tape, 2021
Fabric, batting, paper, paint, cords (21.5" x 40" x 1")
After reading a story about farming while Black in the U.S., this piece emerged. The quilt started bucolic farm landscape, expansive blue skies and green fields growing a bountiful harvest, but now the dream, investment and hope has been smeared. The holes where the harvest should be are collaged with pages from an old bible, which is often used to justify the hate. Taut red cords symbolize controls and red tape that make daily life unnecessarily hard.
Wen Redmond
Crossing Over, 2020
3x5” recycled advertisements, interfacing, pearl cotton, inkjet medium, satin medium, tar gel and glass bead medium (22" x 24" x .3")
An exploration to create a photograph with alternative substrates and fiber is a passion that leads me on. Recycled or unusual materials give unique and ever more interesting results than simple paper or fabric alone. www.wenredmond.com
Melanie Cone
Untitled (pink), 2000
Silk, Cotton, Lycra®, mixed fibers (5.25" x 5.25" (15" x 15" frame))
This handwoven piece the result of loss of loom tension. With tension on loom, it was larger, gauzy, and very flat. Off loom, the LYCRA®'s recovery property, combined with lack of recovery for other materials, resulted in a fascinatingly wonderful set of textures, pleats, and wrinkles.
Jane Quimby
Blue Angles, 2021
Mercerized cotton (40" x 22")
Shibori machine stitch resist prepared whole cloth cotton with similarly prepared small pieces heat appliqued. www.janequimby-art.com