Angela Dale
Turcaret Wigs, 2004, Photo: Gavin Semple
Silk Dupioni, Polyester Organza Varies for each wig
Jim Barry
Quantum research with a Dilution Refrigerator, 2018
Silk dye, Heavy silk satin 60" x 15"
Shannon Molter
Passage, 2015
Silk, cast concrete Site Specific Installation
Ange Altenhofen
Hush (I remember how warm your skin used to be); from the Braille Series, 2020
Scavenged vintage rabbit fur glove liners, glass beads, rayon-cotton blend fabric, steel Variable; approximately 32" x 9" x 3"
Maggy Rozycki Hiltner
Alligator Monument Sunshine, 2020
overdyed found quilt (Bowtie pattern), cotton, rick-rack 20 x 27"
Leisa Rich
Meanderings and Memories of Butterflies, 2019
Thread, vinyl, fabric, dye, acrylic and oil paint Variable
Sean Paul Gallegos
Racing Through The Night To A Stormy Day, 2020
cotton and synthetic fibers on cotton warp utilizing the four-selvaged method, foam, lauan 7.75 x 6 x 5.25 in.
Jessie Bloom
Sunset Fields, 2021
Hand dyed cotton, linen 33”h x 24”w
Juliane Gorman
Wet Felted Stalagmite Hat, 2016
Merino Wool, Leicester Curls, Bamboo Fiber, Silk Fabric, Glass Gems, Millinery Wire, Grosgrain Ribbon, Thread 12 X 12 X 12
Judith Daniels
Curved Top Vessel, 2019
Merino wool, hand-dyed habotai silk, silk roving. 9”H X 10”W X 10”D
Rima Day
Lost Key, 2021
Key, Paper, Thread 6” x 6 ” x .25”
Brenda Bunten-Schloesser
Weathered, 2019
This body of art work represents the influence of life’s events and how even the smallest elements of the world around us is interwoven into our story, impacting and changing our dance through life. Incorporates traditional quilting techniques handed down from generation to generation, into these lager wall sculptures. Each piece is created with painted cotton. Using MX Fiber Reactive Cold Water Dye and hand Painted Discharge Techniques, on Cotton Broadcloth, which is then cut and pieced together in organic large shapes. 55x24
Ilze Aviks
Stay Home, 2020
Cyanotype on linen fabric, cotton thread; hand stitching 14" x 14"
Lisa Jean Allswede
I Walk Outside with My Socks On, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, and nails mounted on top of a painted basswood panel 8”h x 8”w x 1.5”d
Kachina Martin
shame – detail, 2013
hand-dyed wool and hand-dyed cotton gauze nuno felted with machine and hand stitching 18 inches at widest point by 360 inches in length
Shea Wilkinson
Channels & Tributaries, 2015
Wool, cotton, batting, polyester thread, hand-dyed cotton threads 29 x 34 inches
Karen Gelbard
Fog on the River, 2018
Handwoven rayon chenille weft on a mixed warp of cotton, Tencel, Bamboo and rayon. 24"w x 45"L
Susan Moran
Hyacinth Bean, 2017
silk, shibori and stitching each panel 28x45"
Christine Chester
Cherish, 2022
Paper, quink, recycled fabrics, thread Triptych of 10cm balls
Peter McCarthy
Royal Kita With Red Stripes, 2021
re-purposed nylon zippers 235cm x 215cm