Mop Dress – detail, 2010/2014

"Mop cotton" rope, fabric, latch hook canvas, and zipper. 54" tall, 36" diameter at base

Case Study: Memory of a Dream, 2019

Paper, fabric, iron rebar 18" x 19"

Forest Floor, 2021

Handmade and commercial papers, cotton thread, wire, paper clay, acrylic paint, yarn, cotton embroidery thread, beads, found stick 14" x 14"

Sea Floor, 2020

Felted Wool Varied, Installation

Under the skin 1, 2020

Silk thread, Khadi silk Sumi ink embroidery hoop 24cm diameter

“Scratch”, 2018

Cotton velveteen upholstery fabric, cotton batting, vintage wood paneling, gold leaf, cut natural gemstones including ruby, aquamarine, diamond, topaz, garnet, citrine, amethyst, peridot, and emerald 12 1/2" x 8 1/2" x 1 1/4"

GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021

Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11

Untitled 27, 2021

wool and silk 84 x 35 x 9 inches

Solitary Eccentric, 2020

Kibiso Silk 36" high x 8" wide

Dissenting (detail), 2020

reclaimed electrical porcelain tubes, abaca paper, thread, wire, wood 24" x 12.5" x .75"

Flower Power (detail), 2019

Silk, paper, fibre reactive dye, wire Three large scale sculptural flowers with stems...52" x 68"

Heaving Line Vessel, 2021

Natural Jute 10" w x 8.5" l x 5" h

Tikkun Olam: Repair the World, 2020

Sedori cane, tea bag papers dyed in indigo, sumi and persimmon, raw kozo paper 23 carat gold leaf 14 x 14 x 14 "

The Secrets She Keeps, 2020

Dye, Thread, Silk 24"H x 18"W

Afflicted No. 49, 2016, 2016

Shears, synthetic foam, rust print on linen, thread, wooden spool, fixing bracket, wood, screws 67 x 21 x 13 cm

Queen Vessel, 2020

Merino wool, hand-dyed habotai silk, silk roving, metallic thead, textile paint. 7.5" X 11.5"

The Bloody Forest, 2013

barbed wire, jute, wrapped wire, fabric, yarn, hair, found objects 12x5x12"

Hot Mamma Apron, 2012

Crocheted Plastic Flagging Tape 64 in h x 62 in w x 3 in d

Gerrymandering the Marsh (detail), 2021

linen yarn, wool felt, cotton fabric, mulberry paper, wood, rigid foam, stone clay, rocks, wire, fabric stiffener, acrylic paint 15 x 23 x 27 inches (this bird)

Dancing, 2018

Artist-made embossed paper; clay mono-print; monofilament, silk, and embroidery threads 15"H x 20"W

Reduce, Re-use, Re-think, 2019

pre-consumer waste, recycled paper, string, thread 7.5 inches x 7.0 inches x 5 inches

Royal Blue, 2022

Nylon Zippers 65cm x 62cm

Ain Soph Aur (Limitless Light), 2005

Mixed media / Woven paper with paint, metallic foil, stitching and fabric collage. 40" x 32".

Absolut, 2015, Photo: Chuck Szmurlo

Pleated Lame, Crinoline, Cotton, LED's & Micro controllers ~ 40" wide x 48" tall