Ellen Solari
The Three, 2014
coiled and stitched baskets made with binding wire, fibers including yarn, twine and jute 10"x4"x4"(largest one)
Jennifer Lee Morrow
Arriving Soon – A New Look, 2017
found & altered papers, balsa wood, wire, waxed linen 21" x 21" x 4"
connie strayer
Pandemonium 24/7, 2020
Paper, silk roving, linen 23" h x 77" w
Sheary Clough Suiter
INNOCENT #6, One of seven suspended sculptures from the “Flight of the Innocents” installation., 2021
Reclaimed Vintage Baby Dress , encaustic, hand waxed threads, hand stitched embroidery, wire. 15x10x13
Victoria Potrovitza
Bridge Over the Silver Island, 2018
Fiber, hand embroidery, cotton, rayon and metallic threads, canvas on wood stretcher bars. 18x18 in.
Susan Feller
Virginia Creeper, Susan L Feller, 2018
hand dyed wool fabric, wire, hooked, cotton fabric quilted, embroidery 24 x 24
Susan Feller
Mountaintop Removal Jewel, 2019
variety of fibers hooked with silver wire as center medallion. Cotton batik trapunto, applique', yarns, beads 12 x 17
Paula Kovarik
Chaos Ensues, 2017
Cotton fabrics, thread and batting 32 x 32
Lori Polak
Otoño 2020, 2020
Silk, Merino wool, hand printed 14''x72''
Eileen Braun
Iced, 2020
Rattan reed, encaustic wax, speciality paint, cotton string and adhesive. 46H x27W x8D.
Adrienne Sloane
An Incalculable Loss, 2021
free motion quilting Height: 28” Width: 24”
Korey Rowswell
Consistently Deceitful, 2021
Cellophane, Wire, Rubber Band, Poly Mesh 4' x 4' x 3'
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Bonnie Smith
She Votes, altered book, 2020
fabric, paint, crayon, collage 12 w x 8h x 8d
Dominie Nash
Big Leaf 43, 2019
Cotton,silk organza,found textiles,fabric paint,dye 42 x 66
Lisa Sanders
Untitled 27, 2021
wool and silk 84 x 35 x 9 inches
Lori LaBerge
Coastal Rebuild, 2020
Hand-dyed wool, acrylic paint on linen 36 x 36
Liz Hamilton Quay
Embalmed Tubes, 2017
Polyester Organza, Shellac, Thread, Poly-Fil 35"x25"x2"
Bonnie Saland
Twelve Bar Blues, 2020
Hand dyed and printed textile pieces intermingled with digitally produced counterparts, with hand and machine stitching. 40” h x 75” w
Sarah Haskell
Secrets of the Infinite, 2017
Indigo dyed, hand woven linen, hand spun paper, embroidery floss. 15" by 90"
Melinda Lowy
Choices (Decisions 6), 2017
Cotton, silk, polyester, velvet, upholstery, leather; beads, foil, specialty threads/yarns, including metal; embroidery thread, snaps 44”x 52.5”
