Melinda Lowy
Decisions 2 & 3, 2010
Cotton, silk, polyester, velvet, upholstery fabric, bark cloth; foil, paint, beads, embroidery, specialty threads/yarns, snaps 52"x52"
Sheary Clough Suiter
THE KEEPERS, Installation from “The Clothes We Wear” exhibition. Figurative custodians composed of impenetrable hardened wax shells, the Keepers series originated as a guilt-ridden approach to justify all of the online shopping that occurred in our household during Covid’s staying in period. How could I transform the plentitudes of plastic packing pillows into something artful?, 2021
Encaustic, Deconstructed Chenille Bedspread, Sewing and Embroidery Threads, Hand and Machine Stitch. Eleven Keepers linked as a vertical ceiling to floor sculpture, 96 x 14 x 14. Thirty individual Keepers comprise the floor level assemblage. Each keeper averages 8 x 5 x 3.
Dong Kyu Kim
Consuming Memories(2007-2017), 2017
paper receipts, tickets, thread, Swiffer microfiber cloths 55" x 43" x 0"
Holly Wong
Juliet of the Spirits III, 2020
Gouache, graphite and candle smoke on paper with hand cut polyester drafting film. 12" x 16"
Wendy Duffield
Complicated Memories, 2021
Paper, ephemera, vintage photo and buttons, organza, hand stitched with embroidery cotton 8"x 10"
John Alita
Riven, 2022
Silk thread, wire, acrylic 12" x 12"
Brenda Bunten-Schloesser
Hallelujah, 2012
Bleached Mercerized Combed Broadcloth Duck Canvas Fabric MX Fiber Reactive Dyes Quilt Batting Polyester Felt Cotton Mop Yarn Gutermann Hand Quilting Thread Gutermann Upholstery Thread Wood panel Aluminum Flat Bars “Hallelujah” is a collage of painted cotton. Using fiber-reactive dye to paint the fabric, then pieced is sewn together into the organic image and shape that rejoices with singing rising up from the valley
Alexander Hernandez
Embraced, 2017
soft sculpture, polyfil, found fabric site specific installation
Judith Content
Indigo Ice, 2016
arashi-shibori dyed, discharged, pieced, quilted, silk 70H x 74W
Bethany Rahn
Nine Nineteen, 2020
Letterpress Printed Silk Organza, Laser Engraved Silk Organza, Cotton Thread 32’’x48’’x5’’
Korey Rowswell
Stereotypes Afforded Us, 2021
Deconstructed Dress, Flannel, Grommets and Wire Installation 4 x 9.5 x 7 IN
Sarah Bearup-Neal
Fields North | City South, 2020
Scrap fabrics, printed + hand stitched. Painted, printed + altered papers. Cotton crochet thread. Wool yarn. 22" w X 17" l
Katherine Diuguid
“Glistening In the Sun” detail, 2019
Digitally printed linen, cotton embroidery floss, and metal embroidery wires. 5"x7"
Barbara Burns
Pas de Deux, 2016
Handwoven Tapestry: Mercerized cotton weft, seine twine warp 23.5 x 39.5
Susan Hotchkis
Spill detail, 2018
Synthetic voile, felt H126cm x W55cm
Michael Rohde
Mysterious, 2020
wool, camel, natural dyes; handwoven tapestry 77" x 48½”
Gretchen Morrissey
Long Walk, 2019
hand dyed paper with Cutch and iron, relief prints, hand-braided linen, handmade gypsum pigment 19 3/4” high x 63 1/2” wide, framed: 26 1/2" high x 85" wide
Terry McClain
Leaves and Bones, 2014
Mixed media and transfer print on canvas 8"H x 8"W
Erica Spitzer Rasmussen
Cruel Shoes, 2015
mixed media with handmade paper (cotton, tissue paper, acrylics, sharps) 12”w x 7”h x 10”h