Katherine Gibson
Unwearable Cloak, 2019
Canvas, Acrylic, Felt, Thread, Silver, 6 Sassy Magazines 60" x 84"
Alexander Hernandez
Beauty and the Binge, 2020
fabric remnants, pillowcase, acrylic paint, found socks, crib mattress, dvd player 40 x 40 x 20
Jackie Mirabel
Treasure Box, 2021
Hand-dyed wool and silk felt, seed beads, sequins, pearls. 3/4"
Fay Stanford
Meat in the Middle, 2020
Ink, Cotton, Thread 19" x 43"
Jennifer Lee Morrow
Arriving Soon – A New Look, 2017
found & altered papers, balsa wood, wire, waxed linen 21" x 21" x 4"
Wendy Duffield
She knew her own mind, 2022
Acrylic paint, cotton thread, vintage photo 5x7"
Alisa Banks
Edges (Lace Braid), 2009
Paper, Leather, synthetic hair 7” H x 9.5” x 4.5”
Melinda Lowy
Touch of Turquoise (Construction 4), 2012
Cotton, silk, polyester, upholstery fabric, velvet, paint, thread 25.5x29"
Molly Bullick
Under the skin 2, 2020
Silk thread, Khadi silk Sumi ink embroidery hoop 24cm diameter
Sharon Webster
Loom, Womb Recollection Project, 2010
wooden clothes dryer, black walnuts, twine 25 in x 37 in x 30 in
April DeConick
Eden No. 1, 2022
Acrylic and wool on linen. Ceramic mount. 22" x 72"
Holly Wong
Arachne II, 2020
Colored pencil & graphite on woven drafting film 3'H x 3 1/2'W x 4"D
Marianne Fairbanks
Zigs Zags, Zags Zig, 2018
Tencel, paper, nylon, handwoven on TC-2 loom. 21" x 42 " each on background 50"x 58"x 6"
Lauren Singer
Call of the Running Tide, 2017
tulle, die-cut plastic strips, hand-cut fabric applique 66 " x 18" x 6"
Cathryn Amidei
Considering the Assets, 2019
cotton, rayon, polyester, yarns 27" x 25"
Victoria Tasch
Empty Nest, 2019
Handmade paper, book board, relief print, hotfoil transfer 8" x 6" x 6"
Amy Usdin
Strand 04, 2021
silk and plant fibers on vintage fishing net 64” x 32” x 5”
Susan Hensel
Chromatic Wave 2, 2019
polyester embroidery thread, polyester felt, sewing thread 11" x 17" x 1"
Doerte Weber
Fields of Texture, 2017
various yarns 38 in x 27 in
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11