LineScape #31 (Pelican Lakes II), 2015

cotton fabrics, paint, cotton batting, cotton stitching 56 x 72 inches

Rainforest Requiem: Anthropocene Period, 2016

Cotton, seed beads, knitted beads 6 1/8 x 20 1/4

Fecundity, 2018

Fiber rush, unryu paper, flat reed, paper pulp, acrylic 12" h x 17" w x 14" d

Dismount Left, 2019

Cotton, linen, paper, silk and wool on repurposed rope horse fly net 31" x 15" x 6"

Magnolia Grandiflora IX: Zelda unleashed, 2021

Quilted Textiles 30" wide x 40" high

Confetti, 2018

cotton fabric, batting, variegated thread 46" x 46"

GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021

Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11

Blue Figure (side 2), 2020

Two-sided Silk Noil, hand painted with textile dye and stitched 70” x 27”

Modern Lockdown, 2020

Hand-dyed wool, acrylic paint on linen 20 x 20

Spirit House, 2022

sticks, handmade paper, daylily cord, leaves, string, artificial sinew, bamboo, tapioca starch 12.5" h x 12" w x 11" d

Your Poison Only Makes Me Stronger, 2018

Canvas, silk thread 10 in x 8

Every 3 Seconds, 2019

commercial fabric, beads 24" h x 20" w

No Bed of Feathers, 2020

Polyester fabrics, feathers 16" H x 28" W x 20" D

Tether, 2016

cochineal-dyed doilies, oak gall-dyed sissal twine. oak gall dye from foraged galls. install: I-Park variable

Dissenting, 2020

reclaimed electrical ceramic tubes, abaca paper, thread, wire, wood 24" x 12.5" x .75"

albatross 8, 2020

Twined linen and discarded plastic 20x12x5

FD 219, 2020

cotton, various sari fabrics, 18"x27"

Sweet, Sweet, Sweet, 2020

encaustic, collage, embroidery, horsehair, stained silk, pyrography on wood 20x16

Sea Tangle, 2019

Linoleum prints on silk and Spoonflower printed cotton from original gelatin prints 41"x 46"

Fire, 2020

Wool, silk, cotton, thread, paper, ink Open: 9" x 42"

Pussyhat Basket, 2018

Watercolor paper, acrylic paint, silk fabric, ribbon 10" w x 12" d x 9" h

St. Francis, 2011

Mixed Media w/ etching and accordion construct. 15” h x 111" w

Night Gaze, 2020

indigo dyed kozo lace, thread 72"h x 48"w

Thoughts and Prayers, 2020

cotton and sisal on vintage rope horse fly nets 64” x 23” x 20”