Doerte Weber
This and That, 2014
novelty yarns and plastic wrappers from various newspapers 4 ft x 12.5 ft x 1 in
Teddy Milder
fardel, 2021
string weaving, pigmented abaca pulp, cutch dyed jute rope 24 x 30 x 14"
Karen Gelbard
Fog on the River, 2018
Handwoven rayon chenille weft on a mixed warp of cotton, Tencel, Bamboo and rayon. 24"w x 45"L
Alisa Banks
Half, 2014
Cotton, Linen, paper, marker, graphite, paint, thread, machine pieced and quilted. 30”H x 36” W
Myrna Tatar
Just Stuck, 2018
Fabric, Paper, Plastic, Metal, Yarn, Embroidery Thread, Sumi 33" x 34" x 1.5"
Doerte Weber
Glass Ceiling, 2016
structural weaving with plasticbags from drycleaner and newspapers 45 in x 48 in
Jennifer Lee Morrow
Portrait of an Artist, 2019
found & altered papers, found & burnt wood, appropriated drawing, film stock, nails, thread, gold leaf 48” x 25” x 6”
Kevin Tracy
Quilt 1, 2020
Polypropylene woven mesh, spray paint, wax thread, staples 48in x 48in
Gwen Samuels
Ruffled Feathers, 2014
Digital images printed on transparency, hand-stitched to wire form 12" x 6" x 15"
Alicia Merrett
Eye of the Storm, 2019
Original digital image printed on cotton fabric, cotton and polyester threads 24 x 35"
Linda Colsh
Cyphers, 2015
printed & painted paper, layered & stitched; monofilament variable installation, as shown approx. H48xW72xD60inches
Dong Kyu Kim
The United Stitches, 2017
paper receipts, thread, Swiffer microfiber cloths 63" x 55" x 2"
Regina Benson
Restored Legacy, 2017
Cotton, rust, acrylic 42"H x 46"W x 3" D
Sheary Clough Suiter
Pocket-Keep LGBTQ Activist: MARSHA P. JOHNSON. One of six two-sided suspended sculptures created from deconstructed fast fashion clothing conceptualizes secret-keeping from personal, social, and historical perspectives. Each Pocket-Keep gives honor to a noteworthy woman whose place in history is little know, 2021
Encaustic, Deconstructed Fast Fashion Clothing, Thread, Wire, Hand and Machine Stitch. 29 x 20 x 5
Shea Wilkinson
Data Set, 2015
Hand-dyed silk, cotton, wool felt, polyester and cotton threads, wire 33 x 44 x 4
Mary Lou Alexander
Geometry of the Herd #6, 2016
Cotton fabric, fiber reactive dye 56" H x 69" W
Fafnir Adamites
Impediment Series, 2018
Wire, Abaca paper pulp, mulberry paper Series of 7 forms, each approximately 12" x 8" x 6"
Katherine Gibson
February: Spectator Sport, 2020
Acrylic, Thread, Canvas, Muslin 72" x 96"
Susan Lapham
Playland #1, 2020
Commercial and hand-dyed cotton solids 82"wx83"l
Ann Johnston
Game Board 3: missing pieces, 2014
hand dyed cotton sateen, various threads 16" H x 23" W
Patricia Coleman
Crow Mountain Morning, 2020
Acrylic paint, cotton fabric with cotton reproduction fabric of one of my V Pleated/tessellation acrylic paintings, machine stitching and quilting with unbleached cotton batting; cut rock beads. 39” X 16 ¾
Felicia Reed
Solidarity II HealingWrap, 2020
Silk and wool 2.5ft by 6ft