Gray Caskey
Dissenting, 2020
reclaimed electrical ceramic tubes, abaca paper, thread, wire, wood 24" x 12.5" x .75"
Erin King
The Surrealist Trombone, 2020
Wool roving, yarn, trombone bell, lamp 36.5 x 10 x 10
Dayna Talbot
Mending Fences 1, 2016
Abaca Pulp, Oil Paint, and Thread on Canvas 10" x 10"
Anna Carlson
Engram 2.0, 2017
silk, cotton, thread 42" x 42" x 4" deep
Chris Motley
Brown Is The New Green, 2015
Wire, Yarn 46"H x 17"W x 3"D
Nancy Monson
UnBecoming, 2021
Photo manipulation and transfer onto silk, embroidery Diptych, each 10" x 10" framed
Ann Vollum
Web: Trapped, 2021
String, cloth, ribbon, thread, buttons, PVA 19"H x 19"W x 3.5"D
Amy Usdin
Dismount Left, 2019
Cotton, linen, paper, silk and wool on repurposed rope horse fly net 31" x 15" x 6"
Brenda Bunten-Schloesser
TBI 1-2-3, Trust, Believe. Inspire, 2017
Bleached Mercerized Combed Broadcloth Duck Canvas Fabric MX Fiber Reactive Dyes Quilt Batting Polyester Felt Cotton Mop Yarn Gutermann Hand Quilting Thread Gutermann Upholstery Thread Wood panel Aluminum Flat Bars TBI Group “Breath, Move Forward, A Light” is hand painted whole cloth cotton using fiber-reactive dye and discharge painting. Then the cloth is cut pieced and sewn together into a layered & sculpted organic shape. Machine pieced, hand quilted, Layered pieces together into 3 competing shapes. When all you can do is Breathe and trust, waiting patiently until you can Move Forward, believing you will reach A Light where you can inspire others in the journey.
Francisca Henneman
Spongia Filum, 2021
crochet and needlework, industrial silicone foam, yarn h. 15 cm, w. 29 cm, d.20 cm
Katherine Gibson
Unwearable Cloak, 2019
Canvas, Acrylic, Felt, Thread, Silver, 6 Sassy Magazines 60" x 84"
Virginia Mahoney
Muffle, 2020
reclaimed fabric, vegetable net, thread, copper 32x22x14 inches
Joanna Rogers
Empty Promises. The Politician’s Armour. Before the Election., 2014
Glass bottles and beach glass hand sewn on to felt 2' x 3'
Erica Spitzer Rasmussen
Bound and Tied, detail, 2019
mixed media with handmade paper (cotton and mulberry fibers, walnut stain, gelatin capsules and a secret note to self) ), 24”w x 64”h x 8”d
Catherine Reinhart
Mended 1 – detail, 2020
Abandoned Quilt: Mending, Hand stitching, string painting 75 w x 98 h
Sylvia Vander Sluis
To Have and To Hold, 2021
wood, insulation board, Styrofoam, rope, tree branches, acrylic, found objects, toys, medical supplies, electronics 92H x 82W x 30D inches
Ayn Hanna
Big City #3, 2014
cotton fabric, dye, stitching, batting, gallery wrapped over canvas stretcher 20 x 20 x 2 inches
Fafnir Adamites
Insight That Accrues, 2017
Abaca paper pulp, cotton string variable
Carole Baillargeon
Summer Garment Landscapes, 2015
Buttons, metallic wire, drawings Variable
Sheary Clough Suiter
THE KEEPERS, Installation from “The Clothes We Wear” exhibition. Figurative custodians composed of impenetrable hardened wax shells, the Keepers series originated as a guilt-ridden approach to justify all of the online shopping that occurred in our household during Covid’s staying in period. How could I transform the plentitudes of plastic packing pillows into something artful?, 2021
Encaustic, Deconstructed Chenille Bedspread, Sewing and Embroidery Threads, Hand and Machine Stitch. Eleven Keepers linked as a vertical ceiling to floor sculpture, 96 x 14 x 14. Thirty individual Keepers comprise the floor level assemblage. Each keeper averages 8 x 5 x 3.
Lauran Sundin
Oyster Ripples, 2017
!4 Karat Gold Wire, Oxidised Sterling Silver Wire, Swarovski Crystal, Hematite 7” x 7” x 2”
Emily Sullivan Smith
Future Truth and Present Circumstance, 2017
glass beads, raw silk, thread, plater 7" x 20" x 23"