Sha Sha Higby
“Paper Wings” performance costume, 2018
gypsum,embroidery,multi media 60" x 60" x40 " worn on dancer
Francisca Henneman
Holothuria Nigrum Rubrum, 2021
knottingindustrial rubber, nylon, wood h. 14 cm, w. 66 cm, d. 26 cm, variable
Lauren Singer
Held Together by Threads, 2013
Paper, hardware, wire, found objects, paint on canvas 8" x 8" x 1"
Doerte Weber
Tribal Connection, 2016
handspun, dyed, woven and felted wool, mohair and dog hair 8.5 ft x 3.5 ft x 1 in
Helen Geglio
Territorial Road: Crosses and Losses, 2018
Linen, cotton, hand embroidered and stitched 48 x 42"
Janet Sikirica
Palisades, 2020
Merino wool, hand dyed silk, handfelted 20" x 46"
Christine Miller
Encoded, 2020
Wire, fiber, metal - woven metal fabric with fiber embellishment 8"h x 6"w x 6"d
Christine Chester
Coastal Diary section, 2016
Paper, thread, findings 90cm x 80cm x 10cm
Marie Bergstedt
FIT, 2018
Wool, rayon, cotton, acylic, silk, chenille, and buttons over needlepoint canvas. Wool/rayon felt backing. 58"H x 41"W x 1.5"D
Barbara Shapiro
Strength in Diversity, 2019
Plaited Japanese sedori (scraped and dyed) cane in hexagonal technique with handwoven bands of various bast fibers and paper (gampi, hemp, linden, straw, indigo dyed ramie, nettle, mulberry, kudzu, pique, coconut). 12 x 12 x 12"
Sha Sha Higby
Paper Wings with vertical Stick, 2016
silk,gypsum,wire 60" x 60" x40 "
Alice Van Leunen
The Ice Nine Series: Crazing, 2015
Mixed media / Woven paper with paint, metallic foil, stitching, acrylic rod, titanium wire, and fabric collage. 28" x 22".
Linda Colsh
par hasard, 2020
Standing Scroll: Side 1 printed used paper coffee filters; Side 2 cotton fabric painted, printed, inked & dyed by the artist (includes screenprinting with screens made from her digitally altered photographs); machine pieced & machine quilted H9 x W120 inches (installed as single scroll: H9 x W21 xD14 inches; double scroll H9 x W28 x D14 inches)
Lu Hopkins
Alight – Detail, 2019
Watercolor / Art On Paper 30" W x 40" H
Julie Nocent-Vigil
N, from Miss Ada Starr’s Penmanship Notebook, c. 1890, 2018
Hanji (Korean mulberry paper), etching ink, linen thread 44" x 33" x .25"
Heather Schroeder
Colors of Abuse: It Was My Fault, 2019-2020
Freehand embroidery on cotton 35" x 20"
Joan Diamond
It Helps Sometimes to Take the Long View, 2021
wool, silk noil, silk organza, acid dyes, single use plastic bags, embroidery floss 52"H x 48"W
Eileen Hoffman
Had Something to Say, 2018
Chenille stems, mixed media on Dura-Lar 48" x 40" x 6"
Rebecca McGee Tuck
Tabernacle of Trappings, 2021
vintage dress, meaningful cuttings of textiles sent through the mail during quarantine, wood, wire. 2021 Rebecca McGee Tuck 60" x 48" x 6"
Constance Collins
Black Tide: Not Optional, 2021
Upcycled handwoven silk, alpaca and bamboo fabric; handmade paper 16"w x 12'h
Kachina Martin
materiality of mourning – number one in a series of thirteen, 2019
reclaimed leather and abaca over wire base 9 inches in width by 13 inches in height; 9 inches deep