Judy Bales
Bound but Free, Look #01, 2021
Stretch knits Size small
Victoria Potrovitza
Shutdown, 2018
Mixed media, fiber, hand embroidery, acrylic paint, cotton and metallic threads, canvas on wood stretcher bars. 18 x 18 in.
Alice Van Leunen
Log Cabin V, 2017
Mixed media / Woven paper with paint, stitching, and metallic fabric and Chiyogami paper collage. 28" x 22".
Mary Lou Alexander
Until justice rolls down like waters… # 11, 2017
Cotton fabric, fiber reactive dye 42" H x 32" W
Jessie Bloom
Water Garden, 2021
Hand dyed cotton 49”h x 25.5”w
Alice Van Leunen
Smoke and Mirrors, 2014
Mixed media / Woven paper with paint, metallic foil, acrylic grid, wire, and floating layered paper and fabric units. 28" x 22"
Karen Gelbard
Quilted handwoven coat in Pale Grey. Shown with handwoven Hooded Shawl., 2018
Handwoven rayon chenille weft on a mixed warp of cotton, Tencel, Bamboo and rayon. Quilted with silk batting, cotton/silk lining. 24"W x 32"L
Elizabeth Busey
Lucent, 2020
Western cotton and Asian papers, vintage maps, cyanotypes, oil-based inks, interference powder. 18 x 18 in
Teddy Milder
open, 2016
cane, waxed linen, graphite, gut 10 x 17 x 6.5 inches
Ruth Tabancay
Adapting to New Substrates 2.1, 2021
Plastic bags, bubble wrap, styrofoam trays, face masks, plastic cups, straw, vegetable tags, embroidery floss 32" x 42" x 2"
Susan Moran
Hyacinth Bean, 2017
silk, shibori and stitching each panel 28x45"
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Mary Jaeger
KHADI SQUARES: SCARVES and SHAWLS, 2020
cotton, metallic threads (border/fringe) Scarves: 44" x 44" Shawls: 44" x 85"
Marjorie Fedyszyn
Skin Deep, 2020
Artist made over beaten abaca paper, waxed linen, acrylic paint 39"x26"x11"
Dominie Nash
Big Leaf 44, 2019
Cotton,silk organza,Paint ragsdye,fabric paint 40x55
Dayna Talbot
The Power of Remembrance, 2020
Silk, flax, wire, wool, various other fibers Variable/Installation
Nicole Bunting
Recollection, 2018
Linen and Journaled Cotton Fabric 34"x38"2"
Louise Boughton
Scarlet Heart Knitted Cowl With Crochet Heart (Detail), 2014
Mohair, Merino Wool, Mercerised Cotton, Sequins & Beads
Jennifer Davies
We Miss You Ruth!, 2020
thread, paper, plastic ring 14" diameter
Eszter Bornemisza
You Are Here, 2015
Overprinted, torn newspaper, threads 180 x 320 x 30 cm
Juliette Paquin
Serenity, 2007
Silver, semi-precious stones, wire 3/8 x 1-1/2
Sarah Haskell
All This Time, 2020
Handwoven and dyed linen, rayon, with cotton embroidery thread. Rust printed and indigo dipped. 62" by 36"