Tilleke Schwarz "Gut Feeling" (detail) 2014

Carol Westfall Memoriam

Carol Westfall, an artist known internationally and a retired Professor of textiles in the Art Department at Montclair State University, Montclair, New Jersey, died December 11, 2016. She was 78. A graduate of the Rhode Island School of Design (BA) and the Maryland Institute College of Art (MICA) (MFA), Westfall was also an instructor at Teachers College, Columbia University, and a member of SDA for many years.

Carol Westfall photo

Carol Westfall


Westfall’s early investigation of textile materials and processes coincided with the beginning of the Fiber Art Movement in the 1970s. “I have been exploring the cultural roots and contemporary imagery of the movement that evolved from the study of aspects of textile traditions,” she wrote in her artist statement.  “These traditions encompass an extraordinary variety of materials, processes and, most importantly, visual messages.  I have combined these traditions with my interests in feminist concerns, current issues in the arts and society and an abiding love for various foreign cultures.”

Cascade Ice

Carol Westfall Cascade Ice 2011, Metallic, thread stitchery, 7.5″ x 55.5″. Photo: D. James Dee.

Cascade Ice detail

Carol Westfall Cascade Ice (detail) 2011, Metallic, thread stitchery, 7.5″ x 55.5″. Photo: D. James Dee.

Inspired by travels to countries including India, Japan, Afghanistan, China and Mexico, Westfall explored a wide variety of techniques including computerized jacquard weaving, handmade paper, digital printing, felting, and neon as a linear element. Rather than an identifiable “look,” a consistent characteristic in her work was the visual expression of current issues. For example, ZPG Please (Zero Population Growth), a wrapped sisal sculpture shown at the 7th Biennial of Tapestry, Lausanne, Switzerland (1975), addressed a timely social concern.

ZPG Please

Carol Westfall ZPG Please (Zero Population Growth) 1975, sisal and wood, dimensions variable. 

Following studies in India on a sabbatical as a Fulbright Fellow, Westfall organized the exhibition One Woman: The Web of India. Under the auspices of the Handweavers Guild of America (HGA), this traveled to Texas, Michigan, Utah, Nebraska, and Missouri.

Endless Waterfalls

Carol Westfall Endless Waterfalls 2007, jacquard weaving, 61″ x 325″. Photo: D. James Dee.

Technology as Catalyst (2002), a presentation of digital images on fabric at the Textile Museum, Washington, D.C. (2002) was among numerous cutting-edge national exhibitions in which Westfall participated. She was represented in numerous international exhibitions including Three Women from Montclair (1995) at the Tannen Art Festival, Fukui, Japan; the 9th International Triennial for Mini-Textiles, Jean Lurçat at the Contemporary Tapestry Museum, Angers, France (2009); the New Vision 6th International Fiber Art (2010) at the Henan Art Museum, Zhengzhou, China, and the 7th Fiberart Biennale (2012), Nantong, China (2012).

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Carol Westfall What, How, Why (detail) 2002, woven neon, 23″ x 35 x 3.5″. Photo: D. James Dee.

Westfall occasionally reviewed exhibitions for the Surface Design Journal, and for many years served as a contributing editor for the HGA magazine, Shuttle, Spindle & Dyepot.

Red Planet

Carol Westfall Red Planet 2010, compressed mixed media. Photo: D. James Dee.

For anyone wishing to remember her, Westfall’s husband, Andrew Del Preore, suggests donations to Alzheimer’s Association, 400 Morris Ave., Suite 251, Denville, N.J. 07834 or American Cancer Society, 20 Mercer Street, Hackensack, N.J. 07601.

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Carol Westfall (family photo)

– Patricia Malarcher

2 Comments

  • Ryan Bradbury says

    September 28, 2017 at 2:35 pm

    I was sad to find out that we lost Carol. While I was an art student at MSU in the late 90's Carol took me under her wing and really nurtured my creativity. She was a kind soul and gave me the push & creative support that I needed at that time in my life. R.I.P. Carol

  • Diego Gadir says

    May 24, 2022 at 3:42 pm

    Carol D. Westfall -afterwards Del Preore- bumped into my wlfe Rosa and me in London as I was painting a landscape of the Thames in 1994. We became friends. She was a trustworthy person with a very special lively personality, a very dependable one, and one of a kind artist in fiber stuff. She encouraged me a lot to develop my art work and got me an invitation to show it in the Montclair State University College Art Gallery directed by professor and great sculptor Dr. Lorenzo Pace. We keep a tender memory of her in our heart. Diego Gadir.

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