Andrea Finch
Quercus Falling Leaves II: White Oak Leaves in Red, 2019
Quilted Textiles 16”wide x 40”high x6”deep
Judith Content
Indigo Ice, 2016
arashi-shibori dyed, discharged, pieced, quilted, silk 70H x 74W
Joan Diamond
Portal, 2019
Cotton, Procion dyes, cotton and silk thread 41"H x 46"W
Gwen Samuels
Re-Assuring Rhino, 2014
Digital images printed on transparency, hand-stitched to wire form 12" x 13" x 14"
Dayna Talbot
The Power of Remembrance/Vessel Detail, 2020
Silk, Wool, Flax and Paper Variable/Installation
Shea Wilkinson
Navigating a Broken World, 2015
Linen, cotton, wool felt, cotton and polyester threads, steel 43 x 61 x 9
Mary Mortenson
Mesabi Jacket, 2012
Wool and Ultrasuede Garment size 12
Bonnie Smith
Water Bubbles, Palm Trees, 2020
cotton, Indigo 12 w x 8h x 8d
Ruth Tabancay
Nylon Knee Highs 156X, 2018
Scanning electron micrograph print on watercolor paper, embroidery floss 13" x 16"
Judy Kirpich
Memory Loss No. 8, 2020
Hand painted fabric, hand dyed cotton, 48"h x 69"W
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Gwen Samuels
Thinking about Nature, 2021
Digital images printed on transparency, hand-stitched to wire form 36" x 24" x 2"
Patti Roberts-Pizzuto
Impromptu no. 5, 2018
acrylic, ink, graphite, collage, beeswax, embroidery thread 8.5" x 6"
Marie Bergstedt
Millmaids, 2019
Buttons, antique lace and fabric, silk, cotton 55"h x 25"w x 3"d
Angela Dale
Absolut, 2015, Photo: Chuck Szmurlo
Pleated Lame, Crinoline, Cotton, LED's & Micro controllers ~ 40" wide x 48" tall
Erin King
Facade, 2020
Cello "dead body", yarn 23.75 x 19.5
Mary Lou Alexander
Until Justice rolls down like waters…#10, 2017
Cotton fabric, fiber reactive dye 52" H x 44" W
Korey Rowswell
Pineapple Mike, 2021
Pineapple Themed Lunchbox and thread 2.5 x 7.5 x 6.5 IN
Victoria Potrovitza
Shutdown, 2018
Mixed media, fiber, hand embroidery, acrylic paint, cotton and metallic threads, canvas on wood stretcher bars. 18 x 18 in.
Sarah Haskell
All This Time, 2020
Handwoven and dyed linen, rayon, with cotton embroidery thread. Rust printed and indigo dipped. 62" by 36"
