Nicole Bunting
-lithic, 2019
Linen, Pearl Cotton, and Journaled Cotton Fabric 12"x15"
Bebe Kuhr
With the Grace of the Planets We Stand, 2018
Rust dyed silk, porcupine quills, septarian nodule/stones L-48" W 39" D 8"
Nancy Crasco
Climate Change Indicator: Quahogs, 2017
Gelatin prints on silk organza 24" x 48"
Lexi McCrady-Axon
Lexi McCrady Axon 05, 2018
Wool, recycled with cotton cord 16"h x 20"
Sheary Clough Suiter
GO OR STAY? A discarded woman’s skirt morphs into a lampshade-like four-sided suspended sculpture. Hand-embroidered cursive on opposing sides reflects the dilemma faced by migrants who must make heart-wrenching choices between staying in the homeland they love versus facing the dangers of crossing borders to seek physical safety or a viable livelihood for their family. A reminder that people do not just pick up and abandon the place they’ve lived for generations without cause. Small print embroidery at the top repeats the clothing label “Made in Bangladesh” in English and Spanish, emblematic of the juxtaposition between Fast Fashion’s makers and consumers., 2021
Lining from Reclaimed, Deconstructed St. John's Bay woman's skirt, Found fake-flower petals from Marsha P Johnson Community Park, Brooklyn, Threads, Encaustic, Hand and Machine stitch, Wire, Purchased Light Fixture. 20 (51 including descending threads) x 18 x 11
Dolores Slowinski
All Women Are Daphne, detail 1, 2021
Paper, ribbon, thread, preserved fresh bay leaves, glue. 9 ft. H x 8 ft. W
Judy Kirpich
Indigo Composition No. 14, 2021
Cotton, fabric paint 32"H x 71"W
Barbara Burns
Ingrid: Dancer In Repose, 2016
Wool Weft, seine twine warp 40 x 26
Michael Rohde
Exclamatory, 2018
wool, camel, goat, mohair, natural dyes; handwoven tapestry 76" x 47”
Brenda Bunten-Schloesser
Bless Your Inheritance, 2012
Bleached Mercerized Combed Broadcloth Duck Canvas Fabric MX Fiber Reactive Dyes Quilt Batting Polyester Felt Cotton Mop Yarn Gutermann Hand Quilting Thread Gutermann Upholstery Thread Wood panel Aluminum Flat Bars “Bless Your Inheritance” is a collage of painted cotton. Using fiber-reactive dye to paint the fabric, then pieced is sewn together into the organic image and shape. Depicting the delicate dance of life restoring and renewing your heritage. What is your print you are leaving for the next generation?
Nancy Monson
Shadows and Silence, 2016
Wet-felted merino wool, hemp thread, yarn 50" X 90"
Melinda Lowy
Connections (Construction 9), 2018
Silk, polyester, cotton; dyes, acrylic paint, embroidery thread 28"x27"
Susan Zimmerman
It’s a Cinch!, 2017
watercolor paper, ink, bookbinding paper, thread, wire, metal chain 35" x 15.5"
Marilyn Henrion
Highline Triptych, NYC, 2020
cotton, thread 30"x60"x1", three panels, each 30"x20"x1"
Rosemary Burd
Where can we find light in this never-ending shade? Detail 2, 2021
Sashiko and embroidery threads, found objects, repurposed mixed fabrics, linen, hand-embroidered. 40”x12”
Barbara Berk
Lace Four: No Loose Ends, 2016
Phosphor Bronze 32” H x 28” W x 12” D
Leonie Andrews
COVID_19 Diary, March 2020, 2020
cotton, linen. thread 69 cm (h) x 93 cm (w)
Lisa Sanders
Untitled 27, 2021
wool and silk 84 x 35 x 9 inches
Georgia Rowswell
Story Line – 15 Countries/26 Stories, 2021
Discarded clothing and household textiles 2' x 6' x 2"
Mary-Ellen Latino
Turn, Turn, Turn, 2020
Silk Broadcloth, Photos, Dyes, Scanned dyed Fabric 56 (W) x 32 (h)